Mitch

LGBTQ Role-Model Alert! *ANGELICA ROSS* - Transgender Techie

This month, let's applaud ANGELICA ROSS, a trans woman of color who's blazed a trail for transgender people in technology!

Angelica founded a nonprofit, TransTech, to train trans people in web coding and graphic design, so they'd have job skills to earn income with.

As a trans man myself, I find it inspiring when other transgender people, like Angelica, figure out creative solutions to issues that harm trans communities -- such as unemployment, poverty, and homelessness.

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This is what Angelica told me in an interview for The Advocate

"TransTech emerged from my story, [which] is the same story for so many trans women of color. When I began my transition, I was fired from my job, estranged from my family, and introduced to sex work and the adult industry."

After that setback, Angelica decided to teach herself web coding and graphic design, and was able to become successfully self-employed as a freelancer.

"Over the course of 10 years … I discovered technology as a path to independence for trans people. I no longer had to face on-the-job discrimination and harassment if I didn't want to," she explained. "I could log-in and make money without people caring about what I look or sound like."

TransTech sounds like a fantastic idea, and I'm excited to see what comes from Angelica in the future. You can support her work here

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Photos courtesy of Joey Grant from TransTech. Header photo by Myles Brady.

 

On Writing a Southern Trans Male Teen: An Interview w/ 'A BOY LIKE ME' Author Jennie Wood

This week, I sat down with lesbian author and trans ally Jennie Wood to discuss her new YA novel, A Boy Like Me. The book is about a teenaged trans boy finding himself and love in a small Southern town.

Mitch: Hi, Jennie! Thanks for talking with me about A Boy Like Me.

Talking to you, I could tell immediately, from the twang in your voice, that you’re not from Boston. Are you from the same Southern area Peyton lives in?

Jennie Wood: Yes, but I created a fictional town because I think...it’s fiction. You get to create a world and make it come alive. I think if I had picked my own home town, that’s almost easier. But the imaginary town of Wiley is very close to where I grew up in central North Carolina.

The use of music stood out in this book; it gave the story a textured background. Everyone likes music -- Peyton, Tara, his uncle and his uncle’s girlfriend. And I know you’re a musician in real life, so you probably drew from your own experience. I think music worked well with the book’s theme of silence -- the way it allows Peyton and the girl he loves, Tara, to speak this language that isn’t words.

What were you aiming for with including all of the music in this book?

Music -- like romance and LGBTQ characters --  is in everything I write. I think I wanted -- because Peyton struggles so much with language, vocabulary, and finding the right words -- for music to be something he and Tara shared. Something he could express himself with, like when he plays the drums on her songs. He can show her how much he cares about her through finding the right drum part. And in the recording studio, you can shut out the whole world. He can own that world, control it.

Music is also a way that Peyton can feel accepted. For instance, Tara loves David Bowie, and David Bowie is all about androgyny and gender-bending; this showed that music is a place where Peyton could live. Where he could feel at home and find a place to be comfortable: in his uncle’s music shop, in the recording studio, in making music with Tara. Music becomes Tara’s way of communicating with Peyton too.

All the songs that are referenced in the novel, are actual songs that I wrote from Tara’s point of view. I recorded them, and while I was working on revising the novel, I had the dream that the book would come out with a CD in the back. But, 215 Ink is a small publisher and didn’t have the resources for that, so I just put all the songs on my website.

 Jennie Wood's A Boy Like Me, published by 215 Ink

I was struck by the role of male caregivers in the book -- Peyton’s uncle and Tara’s father. You didn’t make it so that all the adults in Peyton’s life didn’t support him. And Peyton moves towards becoming a male caregiver in the end. You made the moms the antagonists. What was your thinking behind this?

Well, I wanted Peyton’s struggle to be about him: his inner struggle to accept himself. I felt like it was more realistic if not everyone in his life accepts him, but not the other extreme: not everyone is against it. I wanted people to struggle to see him; Tara gets him, Tara sees him, but other people in his life, like his uncle and his uncle’s girlfriend, love him unconditionally but are confused about what he’s going through. But they’ve traveled, they’ve lived in other places; the uncle’s girlfriend is from Chicago. They definitely get the sense that he’s struggling with something, and they get that he loves Tara.

The struggle that everyone sees him as a lesbian was what I felt like would happen in a small town like that. But I didn’t wanted this to be a story where Peyton just met external obstacle after external obstacle, and no one supported him. I think it’s more interesting, and also more realistic, in the world of that small Southern town, that there is some unconditional support, especially since its set close to the present day. And that there’s some physical obstacles and danger. Because that’s realistic too. I wanted the story to be bittersweet -- and the biggest obstacle to be internal, especially as told in the first-person. Even if he has a hard time communicating with himself.

Peyton does face a lot of external obstacles, though I could sense that you were trying to balance them out. You don’t want to write a story where his life is total crap because he’s trans…

...right, I didn’t want to write that story. But I also didn’t want to make it too easy for him and have it be unrealistic. You know, I had some people say to me as I was writing, “ Well, I hope it doesn’t have a happy ending.” Or, “I hope it’s not easy for him, because it shouldn’t be.” And I was like...balance.

Writer & Musician Jennie Wood

Peyton does go through a lot of those common trans youth struggles that teens face who aren’t accepted by their parents or their schools. It’s hard to see trans kids going through this hard stuff that happens afterwards, even though it’s realistic. Did you struggle with the thought that he goes through too much hardship?

Right, right. I struggled with both. That’s why I tried to stay as true-to-life in that small town, in that small, conservative world, and I tried to make it bittersweet. This also goes back to the fact that you can’t please everybody [as a writer]. Your book isn’t going to resonate with everybody...and it shouldn’t. That’s okay. I did struggle, though.

In revision, actually, I did pare down the two fight scenes. It’s a young adult novel. And I didn’t want it to be a “miserable trans boy” story. We don’t need that. Even though you don’t want to think about the audience too much -- you want to be true to the characters -- I did go back on the last revision and took away some of the violence. I don’t want anyone to be depressed [after reading the book]. There’s so much work to do; I wanted people to walk away understanding some of the struggle -- even though everyone has their own individual struggle -- but to be uplifted.

We’re at this really unique time, I think, in trans representation in popular culture where homelessness, depression, mental health issues, instability-in-general are still so very real and need to be talked about, but we’re aware that they’ve dominated “trans” stories for years and years. 

And we’re now finally at a place where we’re seeing some really positive representations of trans folks in pop culture, and there’s this new pressure -- at least, I feel it, within trans and trans-ally communities -- to only focus on the positive. Because we’re trying, in some sense, to overcompensate for the years and years of too much negativity. As a writer, you might feel a pressure to push the negative stuff away. But there are consequences for that too. Anyone who’s working with trans characters right now is going to have to reconcile that tension.

Right.

This was an important conversation to have. Thanks for talking with me today!

You're welcome. Thank you.

 

Author photo courtesy of Dead Darlings writing blog.

LGBTQ Youth Bookshelf: Some Mind-Expanding Trans* Reads

Transgender people's lives are rich, unique, and complex. Once you get past the "Trans 101" nuts-and-bolts of terminology and medical/legal transition-specifics, there's a whole world of trans* lived experiences to explore.

Today, I took just a small sampling from my own bookshelf of books on trans and gender-nonconforming stories that I've enjoyed, and have made me think. This list isn't in order of "best to worst", by the way -- they're all tops on my list for different reasons.

it's worth noting, too, that some of these are "harder" reads than others -- more difficult subjects or more dense language. But reading is, in part, about challenging yourself to grow, and I've always felt deeply rewarded by pushing myself outside my limits.

So I hope you pick up a book and enjoy!

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The Nearest Exit May Be Behind You
S. Bear Bergman

Trans writer S. Bear Bergman's essays humorously address issues from women's spaces to the old boys' network, from gay male bathhouses to lesbian potlucks, from being a child to preparing to have one.

"The Nearest Exist May Be Behind You" by S. Bear Bergman

Sex Change, Social Change: Reflections on Identity, Institutions, and Imperialism

Viviane K. Namaste

Trans scholar Vivane K. Namaste calls readers to think critically about transsexual politics in relation to feminism, with particular focus on intersectionality and de-centering the American trans experience as the universal "trans" experience.

"Sex Change, Social Change" by Vivivane Namaste

Visible: A Femmethology (Vol. 1 & 2)

Jennifer Burke (editor)

Visible: A Femmethology, the only two-volume anthology devoted to femme and feminine identity, calls the LGBTQI community on its prejudices; celebrates the diversity of individual femmes (including trans women & men); and challenges conventional ideas of how disability, class, nationality, race, aesthetics, sexual orientation, gender identity and body type intersect with each contributor's concrete notion of femininity.

"Visible: A Femmethology" (Vol. 1 & 2) edited by Jennifer Burke

 

Self-Organizing Men: Conscious Masculinities in Time & Space
Jay Sennett (editor)

Self-Organizing Men explores the he roles of paradox and incoherence in the construction and maintenance of the masculine self through poetry, visual images, essays, and humor.

"Self-Organzing Men" edited by Jay Sennett

Transgender History

Susan Stryker

Trans historian Susan Stryker's concise, chronological history covers the transsexual, transgender, and cross-dressing communities in the years following World War II; trans radicalism and social change through to the early 1970s; the mid-’70s to 1990—the era of identity politics and the changes witnessed in trans circles through these years; and the gender issues witnessed through the ’90s and ’00s.

"Transgender History" by Susan Stryker

The Collection: Short Fiction from the Transgender Vanguard

Tom Leger & Riley MacLeod (editors)

The Collection represents the depth and range of tomorrow’s finest North American writers chronicling transgender narratives. 28 authors showcase the future of trans literature and the next great movements in queer art.

"The Collection" edited by Tom Leger & Riley McLeod

Nobody Passes: Rejecting the Rules of Gender and Conformity

Mattilda Bernstein Sycamore (editor)

Nobody Passes confronts and challenges the very notion of belonging. It explores and critiques the various systems of power seen (or not seen) in the act of “passing." Trans writer Mattilda Bernstein Sycamore sets out to ask the question, “What lies are people forced to tell in order to gain acceptance as 'real'?"

"Nobody Passes" edited by Mattilda Bernstein Sycamore

Gender Outlaw: On Men, Women, and the Rest of Us

Kate Bornstein

Gender Outlaw is an exploration of gender theory, interspersed with Kate Bornstein's personal anecdotes, and closes with the full text of Bornstein’s two-act play, Hidden: A Gender. Part coming-of-age story, part mind-altering manifesto on gender and sexuality.

"Gender Outlaw" by Kate Bornstein

Persistence: All Ways Butch and Femme

Zena Sherman & Ivan E. Coyote (editors)

Sherman & Coyote's collection aims to resist simple definitions and reductive stereotypes of butches and femmes. Persistence gathers leading voices in contemporary queer writing whose hearts pounded the first time they read or heard the words "butch" or "femme."

"Persistence" edited by Ivan E. Coyote & Zena Sharman

Trans/Love: Radical Sex, Love & Relationships Beyond the Gender Binary

Morty Diamond (editor)

Exploring the crossroads of gender and sexuality, Trans/Love offers honest, engaging narratives that depict dating, sex, love, and relationships among members of the gender variant community.

"Trans/Love" edited by Morty Diamond

Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity

Julia Serano

Feminist writer Julia Serano shares her experiences and observations—both pre- and post-transition—to reveal the ways in which fear, suspicion, and dismissiveness toward femininity shape our societal attitudes toward trans women, as well as gender and sexuality as a whole.

"Whipping Girl" by Julia Serano

 

Man Alive: A True Story of Violence, Forgiveness, and Becoming a Man
Thomas Page McBee

Trans writer Thomas Page McBee's short, lyrical piece of creative nonfiction maps a journey toward self-realization as he suffers the post-traumatic anxieties of two pivotal events: his father’s sexual abuse of him as a child, and his near-death encounter with a mugger.

"Man Alive" by Thomas Page McBee

Manning Up: Transsexual Men on Finding Brotherhood, Family & Themselves
Zander Keig & Mitch Kellaway (editors)

I'd be remiss to not list my own co-edited anthology! 27 trans men discuss their social transitions and roles as male community members: fathers, sons, brothers, husbands, boyfriends, friends, and mentors. Their essays address many topics, including birthing and raising children, gay male sexuality, facing racism, and finding solace in deeply held religious beliefs. 

"Manning Up" edited by Zander Keig & Mitch Kellaway